Leave No Traces (2021) Review
Poland’s Jan P. Matuszynski arrives with his 2nd major feature film after 2016’s The Last Family with film involving one of Poland’s most infamous cases of state brutality and intimidation. The murder and state cover-up of Grzegorz Przemyk, an anti-communist young poet at the hands…
The Cellar (2022) Review
Ireland in the last couple of years has seen a small boom in horror films. A genre that given our history (both mythological and real) would be perfect for big screen adaptions. Lee Cronin’s The Hole in the Ground (2019) and Lorcan Finnegans Vivarium (2019)…
The Electric Life of Louis Wain – Review
I find it odd going into a film not knowing anything about it. I always have a sense of anxiety or unease thinking: “Am I just going to sit here and be bored or is my mind going to explode with the level of artistry…
